Tag: Dorota Gaweda / Egle Kulbokaite

26.11.2015 – Julia Moritz

P.S. YGRG #101

http://kunsthallezurich.ch/de/file/gala2015kunsthallezuerich-123jpgAfter meeting with E, when we awoke our gils were slightly numb but we knew we were safe within our symbiotic envitronment. We extracted the great E muscles, the great dorsal nets, spreads them out like smooth sleeping dolphins, made ourselves habitable, turned ourselves into neighbourhoods for glowing microspecies of words, lines, sentences. We then slipped our scales into the post-sexual swimsuits to discovepossible near futures, incited by pharmaceutical accidents. Performing pharmacopornographic politics onto our skin, us the gender pirates and gender hackers exposed: 

30.09.2015 – Julia Moritz

P.S. YGRG #96

If a Kunsthalle is in fact terminologically distinguished from other spaces of art by the peculiar soundscape implied by the architectural structure – the hall, bouncing sound waves between roofs and walls – we, inside, may seem caught in crucial contradiction: Art’s regime of visibility, including its growing impact on contemporary society (be it in terms of creative imperatives or mediatization as such) versus the substantial range of other sensorial capacities, largely disabled by the institution of Art (if not spectacularized/sacralized and capitalized on as its constitutive other). We...